Field: | Sound Recording |
Rank: | Under Academic Scholarship [NSRF] |
Philippos Theocharidis |
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Field: |
Music Technology and Interactive Systems |
Rank: |
Academic Scholar (NSRF) |
Government Gazette: |
τ.Β ́/4079/23.09.2020 |
Tel. number: |
6979670129 |
Email: |
ptheohar@ionio.gr |
www: |
https://philippostheocharidis.wordpress.com |
Office hours: |
Thursdays, 17:00-19:00 |
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Courses |
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· Music Technology |
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· Computer Programming for Music |
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· Live Electronics Ensemble |
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Studies / Education |
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· 2020: Ionian University, Greece, Department of Music. PhD ”Use of original methods of human - computer interaction for the composition and performance of Electroacoustic Music” |
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· 1998: University of Newcastle Upon Tyne, U.K., Department of Music. MA in Music Technology |
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· 1997: University of Keele, U.K., Department of Music. BSc (hons) in Electronics and Electronic Music |
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Research Work (selection) |
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· 2018 – “The soundscape we live in” (ERASMUS+). Member of the ΕRΗΜΕΕ (Laboratory for Electroacoustic Music Research and Applications) team, Department of Music Studies, Ionian University, “Soundscape Recording an Composition” |
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· 26/5/17 – “LAN Game: Space, density, will, self-organization within human-machine interaction in a live electronics work” at the “Taboo - Transgression – Transcendence in Art and Science” interdisciplinary conference, Ionian University, Corfu |
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· 16/5/14 – “The ERHMEE sound projection system: Present and evolution prospects of the body gesture – sound projection relationship in the real-time diffusion of acousmatic music” at the “Metamorphoses of Corporeality. Art, Body, Technology” conference, Ionian University, Corfu |
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Artistic Work (selection) |
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· 12/12/21 – “Days of Electroacoustic Music 2021” (Web streaming). Performance of the work “p. 268, Omonoia” for fixed media (© 2018) |
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· 11/10/19 – “37th General Assembly of International Confederation of Electroacoustic Music”, Krakow, Poland. Performance of the work “Debris” for fixed media (© 2010) |
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· 2019 - CIME/PSeME/SME Akousmonium, Krakow. Inclusion of the work “Debris” for fixed media (© 2010) in the conference CD with selected works |
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· 28/6/19 – “The Soundscape We Live In”, Ionian University, Ionian Academy, Corfu. Performance of the work “p. 268, Omonoia” for fixed media (© 2018) |
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· 25/9/18 – “Maratona Soundscape”, Tempo Reale, Florence, Italy. Performance of the work “Interactive Soundwalk” for computer (© 2018) |
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· 25/11/17 – “Days of Electroacoustic Music 2017”, Α.Τ.Ε.Ι. of Crete, Rethymno. Performance of the work “LANGame” for computer (© 2014) |
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· 14/10/17 – “FeBeME-BeFEM @ #BEM17”, Brussels, Belgium. Performance of the work “Debris” for fixed media (© 2010) |
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· 18/3/12 – “di.p.art festival”, Thessaloniki. Concert with the “ζήμens” live electronics trio |
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Research / Artistic Interests |
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· Interactive Music Systems / Human Computer Interaction |
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· Live Electronic Music |
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· Electronic Musical Instruments |
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· Sound Diffusion / Immersive Sonic Environments |
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· Acousmatic Music |
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Professional Career |
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· 2020-present: Academic Scholar (NSRF). Department of Music Studies, Ionian University |
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· 2019-2020: Associated Lecturer. Department of Music Technology and Acoustics, Hellenic Mediterranean University |
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· 2013-2019: University Scholar. Department of Sound Technology and Musical Instruments, TEI of Ionian Islands, Greece |
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· 2007-2012: Associated Lecturer. Department of Music Studies, Ionian University |
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· 2000-2007: Associated Lecturer. Department of Musical Science and Art, University of Macedonia |
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· 2000-present: Sound Engineer (Freelance) |
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· 2001-2002: Secondary Education Teacher. Music School of Thessaloniki |